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Weeds Extras |
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Kama Sutra Records - KSBS 2016
Produced by
Nick Gravenites |
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'Weeds'
had theme and purpose and better yet, the permanence of Mt.
Rushmore in the eyes of their fellow musicians... |
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In 1969, the
year of Woodstock and man on the moon,
Brewer and
Shipley released their first album on Buddah Kama Sutra Records, the now
classic folk-rock album entitled Weeds.
Weeds
was produced in San Francisco by Nick Gravenites,
who had produced the demos that had helped Brewer & Shipley get their
Kama Sutra record deal. Gravenites, who had already made a name
for himself as a member of the Electric Flag,
was able to assemble a dynamic group of mostly heavy blues
musicians. The impressive group included guitarist Michael
Bloomfield who had played with Bob Dylan & Paul Butterfield, keyboardist Mark Naftalin, bassist John Kahn, violinist
Richard Greene, and keyboardist Nicky Hopkins who had played on
records with The Beatles and the Rolling Stones.
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Michael Brewer: "Weeds took on a life of its own; it kind of
created sort of a hybrid music between our style and the session
musicians style." Tom
Shipley:
"It
was probably hard for them to do our stuff, but when you play out of
your genre it forces you to get creative. They'd played together
for years, so we moved them toward the center, after we found out where
the center was. The sound was a synthesis of the band, the
producer and us."
The
countrified feel to much of the record was supplied in part by ace pedal
steel guitarist Red Rhodes.
Weeds was
one of the first folk-rock albums to use pedal-steel
guitar, then considered strictly a country instrument. Michael Brewer: "We were folk artists, and country fell into that category. The Byrds had just done Sweetheart Of The Rodeo,
and people were starting to get a country feel in their music. If
it weren't for country music and the blues, rock 'n' roll wouldn't
exist."
"By the time Weeds came out in 1969,
these two talented craftsmen had become artists in the best sense, with
an album that had theme and purpose and better yet, the permanence of
Mt. Rushmore in the eyes of their fellow musicians," declared former
Dillard Mitch Jayne. "Weeds was
one of those seminal albums that define a time and place, an album of
such style and character that it was like visiting the Custer
battlefield and hearing the wind in the buffalo grass at evening and
watching owls perch on the scattered tombstones. Weeds created a
place for your mind to be. No wonder that the next album Tarkio
had a ready audience. Brewer and Shipley had captured our imagination."
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Weeds
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No wonder
that the next album Tarkio had a ready audience. Brewer and
Shipley had captured our imagination. |
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Weeds Extras |
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