Bitter End Reviews

All Things Brewer & Shipley

 
Brewer & Shipley
Bitter End, New York
June 12, 1970

    
Brewer & Shipley a singing duo for Kama Sutra opened the bill at the Bitter End June 12, playing second to Tom Paxton.  It’s a good bet that Paxton has never has a bad night, and his set that evening was customarily excellent.  Even so, Brewer & Shipley proved a hard act to follow.  Theirs is a striking combination of talent and taste and poetic sensibility and kind of realistic optimism.

They made simple harmonies seem complex and complex ones
seem
to come naturally.  Their acoustic guitar work was full and varied with confident skill making any added accompaniment unnecessary.

They sang about life, about specific aspects of it, the pain or it, the enjoyment of it.  They are musical poets and can phrase even unhappiness in terms of beauty.  They are serious and earnest, not smiling much, but projecting a warm good nature in their voices.

NANCY ERLICH
Billboard Magazine -June 20, 1970
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Brewer & Shipley
Bitter End, New York
November 2, 1970

Kama Sutra’s Brewer & Shipley returned to the Bitter End on Nov. 2 and made some beautiful un-electronic music.  As musical gadflies to the establishment, they shine with some great-sounding guitar work and vocal harmonies and integrating chatter.  Their gentle protest is of the persuasive kind, and although not at all subtle, the melodic, almost singalong material takes out some of the sting.  “One Toke Over The Line” and “Oh Mommy,” from their current “Tarkio” album with their provocative themes and country style melodies were audience favorites.  Their closing number “Witchi Tai To,” from their earlier “Weeds” LP showed how well the duo work together, both musically and vocally.

Preceding them was Stuff, a new group looking for a record company whose electronic rock ‘n’ roll and pretty material deserves the attention of talent hunters.


IRA THACHTER
Billboard Magazine - 1970
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Brewer & Shipley
Bitter End, New York
December 1970

BITTER END, NYC - It is still surprising to find a group that can come off in a live performance as good, if not better than) as on record.  Brewer & Shipley is such a group.  Their charm and natural ability to combine heavily political songs like "Oh Mommy" with ballads such as "People Love Each Other: gave them a head start at the Bitter End this past week. 

Their two albums might lead you to believe, as it did to me, that Brewer & Shipley were part of the San Francisco/Nick Gravenites' workshop of musicians.  Just the credits on their two Kama Sutra albums (including such artists as Mike Bloomfield, Nicky Hopkins, and Jerry Garcia) indicate an evening of driving hard rock.  Wrong.  Brewer & Shipley offered an evening of melodious folk/rock.

The most enthusiastic response was to several of the cuts from their most recent album "Tarkio."  "Oh Mommy" which they lovingly dedicated to Spiro Agnew.  "Tarkio Road," and "One Toke Over The Line" were among the highlights of these.

This is a group that was overlooked once.  But that was a long time ago.  If the vibrations that were felt at the club are any indication of success, then Brewer & Shipley have it made.

Opening the bill was Chet Nichols, who along with Brewer & Shipley, hails from Kansas City.  Possibly because of the good Kansas City air, Nichols overcame the built-in difficulties of being the "warm-up" act by being warm and winning the audience with a friendly, down home attitude.  Nichols delivered a fine and inventive set.

CASHBOX -December 19, 1970

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Brewer & Shipley
Bitter End, New York
August 1971

A year ago,  Brewer & Shipley played the Bitter End as a supporting act.  The audiences, who may not have known of them before, discovered that they had a style of music and rich harmonies and with that brightened their surroundings and lasted like the memory of good times with good friends.  Then the duo had not only a hit single, but a controversial hit single, and the crowds that packed the Bitter End recently came for Brewer & Shipley.

Who were, as before, a thorough pleasure.  Their melodies are as rich as their voices, which are as full as their acoustic guitar arrangements and strong harmonies.  For all the excellence of their Kama Sutra albums, Brewer & Shipley are better on stage, more immediate and more directly honest.

Taking their former place as a supporting act who would astound the audience and not be easily forgotten was Jim Dawson, another Kama Sutra artist and a completely beautiful man.  Dawson’s gentle and moving songs are all about love, and the scope and depth of it.  His singing is an invitation to join in the feeling and the giving; there is no way to say no.  He does nothing to control his listeners, yet they are with him, sharing his music and his vision before the first song is over.  The powerful experience of being together comes from nowhere, from one voice and one guitar.  There is magic in that.

NANCY ERLICH
Billboard Magazine - August 7, 1971
 
 

 

Interviews/Articles